It pays attention to the integrity and stability of the shape, emphasizes symmetry and rigor, and uses the square, circle, size and length of the shape. , The thickness is interspersed and stacked, such as Tai Chi graphics, the nine-square grid that emphasizes yin and yang and the five elements. 2. Graphical meaning From the gods and beasts of nature and religious worship to the figures of the scholar-officials expressing the aspirations of gentlemen with "Plum, Orchid, Bamboo and Chrysanthemum", to the auspicious patterns that imply good luck, they all demonstrate the ancients' vision of life. "Situ Hong once said: 'The embodiment of Chinese cultural consciousness and morphological and philosophical concepts has two characteristics: one is that it contains scientific and reasonable parts, and it is the ancient people's summary of the laws of nature; the other is its imagination and creativity. It embodies the Chinese people's yearning for auspiciousness and happiness.'"

3. Cultural Implications As the manifestation of traditional culture, traditional Chinese graphics are permeated with the ideology and culture of Confucianism, Taoism and Buddhism, and are accumulated in folk culture. The Confucian "ritual" and "modern mean" can be seen Raster to Vector Conversion from the totem combination symbolizing the hierarchy, the balance and harmony of traditional figures. Taoism's "Tao law is natural" and "existence and non-existence" make traditional graphics pay attention to natural beauty and emphasize the contrast and unity of graphics. Buddhist culture promotes the expression of Zen, and common themes such as mountains, water, pine, and bamboo are related to this. Finally, folk culture makes it permeate into people's lives.

For example, the Yangliuqingqing painting in Tianjin embodies the auspicious decorative graphics of local festivals. 2. The Importance of Inheritance, Application, Development and Innovation of Traditional Chinese Graphics Modern graphic design should pay more attention to the cultural nature of design and the innovation of visual aesthetics in terms of artistic expression on the basis of satisfying market demand. Li Keran once said about the creation of Chinese painting.